Sunset Boulevard (film) - Wikipedia. Sunset Boulevard (stylized onscreen as SUNSET BLVD.) is a 1.

American film noir[1] directed and co- written by Billy Wilder, and produced and co- written by Charles Brackett. It was named after the thoroughfare that runs through Los Angeles and Beverly Hills, California. The film stars William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, a faded silent film star who draws him into her fantasy world where she dreams of making a triumphant return to the screen, with Erich von Stroheim as Max von Mayerling, her devoted servant. Nancy Olson, Fred Clark, Lloyd Gough and Jack Webb play supporting roles.

Director Cecil B. De. Mille and gossip columnist. Hedda Hopper play themselves, and the film includes cameo appearances by leading silent film actors Buster Keaton, H. B. Warner and Anna Q. Nilsson. Praised by many critics when first released, Sunset Boulevard was nominated for eleven Academy Awards (including nominations in all four acting categories) and won three.

Deemed "culturally, historically, or aesthetically significant" by the U. S. Library of Congress in 1. Sunset Boulevard was included in the first group of films selected for preservation in the National Film Registry. In 1. 99. 8, it was ranked number twelve on the American Film Institute's list of the 1. American films of the 2. Anniversary list.

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At a Sunset Boulevard mansion in early 1. Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death. Six months earlier, down- on- his- luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Family Plots Season 2.

Later, while fleeing from men trying to repossess his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as almost- forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the title role herself in a comeback attempt. Joe finds her script abysmal, but flatters her into hiring him as a script doctor. Moved into Norma's mansion at her insistence, Joe initially resents but gradually accepts his dependent situation.

He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max. Max tells him Norma is subject to depression and has made suicide attempts. Norma lavishes attention on Joe and buys him expensive clothes. At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him.

He tries to let her down gently, but she slaps him and retreats to her room. Joe leaves the mansion and visits his friend Artie Green, who is having his own New Year's Eve party. Joe asks Artie about staying at his place and again meets Betty, who he learns is Artie's girlfriend. Betty believes a scene in one of Joe's scripts has potential, but Joe is uninterested in pursuing it. Watch Cut Bank Megavideo.

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When Joe phones Max to have him pack his things, Max informs him that Norma has cut her wrists with his razor. Joe returns to Norma. Norma has Max deliver the edited Salome script to her former director, Cecil B. De. Mille (played by himself), at Paramount. Afterwards, she begins to receive calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except De.

Mille. Eventually, she has Max drive her and Joe to Paramount in her 1. Isotta Fraschini,[2] where she is greeted warmly by the older studio employees. De. Mille receives her affectionately and treats her with great respect, but tactfully evades her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film.

Unaware of this misunderstanding, Norma undergoes rigorous beauty treatments in preparation for her imagined comeback. Joe secretly works nights at Betty's office, collaborating with her on an original screenplay. His moonlighting is soon discovered by Max, who reveals that he was once a respected film director who discovered Norma as a teenage girl, made her a star, and became her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant. Despite her engagement to Artie, Betty and Joe fall in love.

When Norma discovers a manuscript with Joe and Betty's names on it, she telephones Betty and insinuates the sort of man that Joe really is. Overhearing, Joe invites Betty to come see for herself. When she arrives, Joe feigns satisfaction with his life as a kept man, but after Betty tearfully leaves, he packs to return to his old newspaper job. He disregards Norma's threat to kill herself and the gun she shows him. He bluntly informs her that the public has forgotten her, there will be no comeback, and her fan letters are written by Max. Watch Wind Online Mic.

As Joe walks away, Norma shoots him three times. He falls into the pool, ending the flashback.

Norma's mansion is subsequently filled with policemen and reporters. Now having completely lost touch with reality, she believes the newsreel cameras are there to film Salome. Max pretends to set up a scene for her and calls "Action!" As the cameras roll, Norma dramatically descends her grand staircase. She pauses and makes an impromptu speech about how happy she is to be making a film again, concluding with the famous line, "All right, Mr.

De. Mille, I'm ready for my close- up."[3]Production[edit]Background[edit]. An actual stenciled boulevard name was used as the opening title, as seen in this still image from the film. The street known as Sunset Boulevard has been associated with Hollywood film production since 1.

The film workers lived modestly in the growing neighborhood, but during the 1. With the advent of the star system, luxurious homes noted for their often incongruous grandeur were built in the area. As a young man living in Berlin in the 1. Billy Wilder was interested in American culture, with much of his interest fueled by the country's films.

In the late 1. 94. Hollywood houses remained, and Wilder, then a Los Angeles resident, found them to be a part of his everyday world. Many former stars from the silent era still lived in them, although most were no longer involved in the film business.