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Honorable Mentions" at the bottom - there's plenty of films to watch. One of the best aspects of cinema is the endless discussions that surround it. Once you see one of these films listed below, start talking about it - with friends (online or in person), with other cinephiles, or with anyone who feels differently about it than you do. And if you really love a film, make sure you go out of your way to show it to other people. Loan them your DVD/Blu- ray, or better yet, host a screening for them and show it to them yourself.

This makes a world of difference. Spread the love as much as possible.

Remind everyone you meet that it's okay to love films of all shapes and sizes, even obscure indies that no one has heard about. I would like to encourage everyone to watch at least one of these that they haven't heard of (or didn't see) beforehand. If you spend the two hours or so that it will take to watch even one of these movies mentioned below, it would mean that much more to the filmmakers who put so much time and effort into making each of these movies.

This isn't about getting kudos for mentioning certain films, this article is about pointing out movies that don't deserve to be forgotten and are begging to be watched. So pick one and watch it tonight. Tip: click on the poster images below to visit each film's official website to find out where/how to see it. Century Women. Opened on December 2. Directed by Mike Mills.

The story of three women who explore love and freedom in Southern California during the late 1. Why it's on here: This film is everything. I watched it twice back- to- back the first time I saw it. I was so floored, so in love, so moved by this film, that I literally just restarted it and watched it again right away.

Every single scene in this is filled with emotional nuance, and there are so many important lessons being taught, so much wisdom being imparted. The film seems like it might be the most personal film yet from filmmaker Mike Mills, and it really shows, in every sense. The performances from these three – Annette Bening, Lucas Jade Zumann and Greta Gerwig – are extraordinary, some of the best you'll see in any movie on this list.

It also has a killer soundtrack, and excellent cinematography. Please listen to everyone who has been singing the praises of this film and see it as soon as possible. Weeks. Opened on February 1. Berlin Film Festival)Directed by Anne Zohra Berrached. A happily married woman has a daughter, and is already six months pregnant when she has doubts if she really wants another child, as it might effect her career, and she wonders if she should get a late- term abortion. Why it's on here: This film has stayed with me ever since I first watched it at the 2. Berlin Film Festival, more than a year ago.

Weeks is a very powerful, very emotional drama that is told entirely from the perspective of a pregnant woman, played fiercely by Julia Jentsch, which is rare to see to begin with. Watch The Free World Online Freeform. Beyond that, the way they approach the story and the way they challenge the audience to think differently is done with so much empathy and understanding, it's hard to forget this film once you see it. I wrote in my review from Berlinale: "It's a remarkably beautiful and empowering film. Almost everyone in the theater was crying by the end.

This is a film that would never be made in America, and I admire it greatly, as it must've been challenging to make and the result is something special."A Bigger Splash. Opened on May 4, 2. Directed by Luca Guadagnino. The vacation of a famous rock star and a filmmaker in Italy is disrupted by the unexpected visit of an old friend and his daughter. Why it's on here: Mostly because Luca Guadagnino is a genius (and it's best to see this before Guadagnino's Call Me By Your Name makes this list next year). This is a quirky, funky, fun film worth diving into even if it doesn't seem interesting at first. Watch it for Tilda Swinton's performance alone.

Or Ralph Fiennes. The world that Mr. Guadagnino creates is at once seductive and aspirational, and another reminder that movies have always excelled at stoking consumer desires. Much like Nancy Meyers, Mr. Guadagnino excels at creating lifestyle pornography of an especially rarefied kind, although in classic European style, he gilds the pleasure with some political guilt… Not too much, mind you, just enough to give the whole thing a patina of seriousness." (Excerpt from Manohla Dargis' review.)Blue Jay.

Opened on October 7, 2. Directed by Alex Lehmann. Meeting by chance when they return to their tiny California hometown, two former high- school sweethearts reflect on their shared past. Why it's on here: This film is such a charming, refreshing indie relationship drama instilled with so much honesty and love.

Don't even read about it before, just watch it. The lead performances from Mark Duplass and Sarah Paulson are key to it working so well, but beyond that, it's worth watching for the story itself (about two high school sweethearts reconnecting many years later) and for the filmmaking behind it. I love that it's a black & white film (featuring cinematography by director Alex Lehmann), and there's a lovely score by Julian Wass that helps enhance the mood. This is one of those rare films that makes you question your own choices, and daydream about the great loves in your life, and where they may be, and what things could've been like if you had ended up together. Breaking a Monster. Opened on June 2.

Directed by Luke Meyer. Chronicles the break- out year of the band called Unlocking The Truth, following 1.